Early Music Seattle Team
Staff
- Ludovica (Ludo) Punzi, Executive Director
- August Denhard, Artistic Director
- Ann Stickney, Operations Director
- Amy R Tullis, Marketing Director
Board of Directors
Advisory Board
- Diana Carey
- Theodore Deacon
- Fernando Esteban
- Antonio Gomez
- Mary Ann Hagan
- Naomi Shiff
Ludovica (Ludo) Punzi
executive Director
Ludovica (Ludo) Punzi is a versatile and experienced arts leader, having worked in many different roles in Italy and the United States. She is Founder and Executive Director of Vivace Music Foundation, an international organization dedicated to equitable music education opportunities for the world’s most talented youth, and also serves as Program Manager of the St. Lawrence String Quartet Chamber Music Seminar at Stanford University.
Equally at home in concert halls and community spaces, Ludo has worked with The Concert Truck, a non-profit organization which strengthens communities by redefining the concert experience through a mobile concert hall. She has also worked with the Florence and Milan conservatories, where she has led hundreds of chamber music, opera, orchestra and jazz productions and tours in Europe, Dubai and the US.
Ludo earned an academic diploma in piano performance at Mantua Conservatory. She loves podcasts and radio shows and has an uncontrollable passion for rockabilly jive music and dance. She speaks 4 languages and has an identical twin sister. A tattoo on her left wrist says “vero”, which in Italian stands for “true” and is also her twin sister’s nickname.
Home for her is wherever her husband John and doggy Ted are.
Gus Denhard
artistic Director
August (Gus) Denhard has served as EMS’s Executive Director since 2000. From that time to the present, he has managed EMS’s existing programs. He also led the development of the Early Music Discovery concerts, the First Tuesdays and Early Music Fridays series, and the Community Collegia program. He was also instrumental in founding EMG’s baroque opera program and producing five staged productions between 2002 and the present. He played the lead role in integrating the Seattle Baroque Orchestra into the EMS following the merger of the two organizations.
Gus has performed, led performances, recorded, taught, and lectured about early music. Gus had a leadership role in the Bloomington Early Music Festival beginning in 1995, working first as education director, then as opera producer and assistant director of the festival. From 1997 to 1999, Gus served as education director of the Columbus, Indiana Philharmonic. In addition, he was a founding member of the Baroque trio Liaison, and Naked Fifth. Both groups were named as finalists in the 2000 Dorian/Early Music America Recording Competition.
As a performer on lute, theorbo and Baroque guitar, Gus has appeared with the Seattle Baroque Orchestra, the Concord Ensemble, Chicago Music of the Baroque, the Indianapolis Baroque Orchestra, Camarata Pacifica Baroque. He performs regularly with tenor Eric Mentzel, Baroque Northwest, and composer Münir Beken.
Ann Stickney
OPerations Manager
Ann moved to Seattle in 1992 and became involved with early music through the Seattle Recorder Society, for which she served as president and workshop administrator. She has worked for Early Music Seattle and the Seattle Baroque Orchestra since 1999. She has also served as treasurer for the American Recorder Society and board president for Baroque Northwest.
Ann received her Bachelor of Science degree from Earlham College, where she majored in geology and education
Amy R Tullis
Marketing Director
Amy, a native New Yorker, living in Seattle since the eighties, arrived at EMS in 2018. She owned her own marketing and graphic design business for over a twenty years where she worked with businesses, art organizations, and non-profits. Amy was the Marketing Director for a retail garden center, Epiphany Parish and worked with the Epiphany Music Guild. Amy believes in building communities, that experiences matter, and the arts are needed for a balanced and healthy lifestyle.
Aly Gardner-Shelby
President
Originally from Dublin, Ireland, Aly has lived in the Seattle area for 25 years. Although now a Program Manager at Microsoft, her true passions are the arts and music, and she is a keen member of the Medieval Women’s Choir of Seattle. Aly’s love of music was nurtured in high school by a range of music classes as well as Musicianship taught by music historian Barra Boydell, with emphasis on Medieval music. She continued with university studies getting a BA in the History of Art and an MA in Ancient History and Archaeology at Trinity College, Dublin University.
Aly was a keen member of Dublin University’s Trinity College Choir, led by professor and composer Brian Boydell, and later a member of the Guinness Choir. Her favorite performance was in the latter as one of six choirs and three orchestras combined for Mahler’s challenging and large-scale Symphony No. 8 in E-flat major, “Symphony for a Thousand.” However, she remains enthralled by Medieval music – including Gregorian Chant, which was part of her family’s tradition as a child.
In previous non-profit experience, Aly served as board member and then president of Irish Network Seattle. She was formerly Executive Director of Alpine Ascents Foundation, raising funds for children of disadvantaged families in Nepal to attend school. She also volunteers at Microsoft and elsewhere in diversity, inclusion and accessibility.
Aly is delighted to have an opportunity to support the growth and sharing of the musical arts in the Seattle area and beyond: to connect our past and future, bring joy to people, and help artists to thrive.
Britt East
Vice-President
Britt East is an inspirational author and speaker who uses his experience, strength, and hope to challenge and inspire people all over the world to unleash their true potential through his books, articles, and public speaking engagements. He also has over 20 years of experience in marketing and technology leadership, where he has helped a variety of organizations craft their best online presence, through engaging and effective design, advertising, and content marketing (web, email, social, display ad, and search).
Richard Ginnis
Treasurer
Began Continuous Board Service in 2012 // Richard was born and raised in Cleveland Ohio. He attended Ohio State University and the University of Illinois, ultimately obtaining a Masters of Accounting Science degree. While at the University of Illinois, he passed the CPA exam. After completing college studies, he began working in Chicago as a CPA, living in Chicago for seven years before making the move to Seattle. Since the move, he has worked in public accounting and is currently self-employed.
Richard moved to Seattle in May, 1977, just in time to attend the inaugural concert of the Early Music Guild. He immediately became a member and soon after was invited to serve on the board, serving as Treasurer for four years. Later, he joined the board of Seattle Baroque Orchestra and served as Treasurer for 15 years. He also currently serves on the board of the Seattle Recorder Society.
Richard is married with two children. His current interests include playing the saxophone and recorder, Israeli folk dancing, golf, and jazzercise.
Sarah Thomson
Secretary
Sarah migrated from Australia to Seattle in 2017. She has over 15 years of experience working in marketing for international organizations, specializing in digital marketing and branding. Sarah is a strong advocate for delivering a strong customer experience. Her pursuit of supporting non-profits during the pandemic led her to volunteer for Early Music Seattle’s marketing department before accepting a board position 12 months later. She is excited to be a part of the growth ambitions of Early Music Seattle.
Jim Hessler
Began Continuous Board Service in 2017 // Jim is the President of Path Forward Leadership Development, a firm he founded in 2001. Jim helps organizations and individuals do the hard work of developing progressive, effective leadership practices. He’s the author of Land On Your Feet, Not On Your Face — a Guide To Building Your Leadership Platform.
Jim lives in Issaquah with his wife of 45 years, Paula Weiss. He studied music at Whittier College and plays the piano. His daughter Ruthie Millgard is the Artistic Director of the San Diego Children’s Choir.
nick ketter
Nick is a Washington native and centers much of his personal life around music of all styles and genres. He studied audio engineering and music synthesis at Berklee College of Music and went on to record, edit and mix the Peabody Award-winning radio documentary “Will the Circle Be Unbroken?” and the documentary “Goin’ to Chicago”. Nick earned his MBA at Emory University’s Goizueta Business School and led digital marketing efforts for IBM, The Coca-Cola Company, and most recently Microsoft, where he leads web marketing for the video game Minecraft.
Laura Payne
Laura Payne was born with a great love for music from the start, always listening to songs on the radio as a child. She began her musical journey at the age of 9 through 5 years of classical guitar training. She obtained her first electric guitar and amp at 14 and started learning rock guitar by listening/playing along to her favorite albums. At 18, Laura joined her first band as a bassist purely out of necessity because no one else in the band wanted to play bass. Laura fell in love with the instrument since that moment and has been driven to continuously learn and improve her skills. Laura’s passion now consists of playing, writing, recording and sharing great music alongside talented musicians, as well as volunteering and staying active in music programs that serve our communities. She continues to grow her skills and involvement by donating time/efforts as an EMS board member, Music Forward Foundation – Alliance member, Poway Symphonette Foundation board member, ASTA San Diego chapter secretary,as well as performs/records string bass regularly in ensembles such as the Palomar Symphony and Poway Symphony Orchestras. Laura is also a life-long techno geek, starting with influences from her electrical engineering father, achieved a B.S. degree in computer electronic technology, and has worked in technical/program/project management roles since 1990. Currently at Microsoft as a business PM for partner compliance training programs, and is also a board member/policy co-director for Microsoft’s LGBTQI employee resource group. Laura lives in San Diego with her wife Lauren, their son Kai, and 2 dogs + 3 kitties.
Harry Reinert
Began Continuous Board Service in 2017 // Harry grew up in the Seattle area and attended Washington State University and University of Washington where he received degrees in Philosophy and English, respectively. After teaching high school English for a time, he attended University of Washington Law School where he received a JD in 1978. During his 35 year professional career he worked on legislation and policy development for the state and local governments. Harry worked for King County for 15 years on land use and environmental issues and retired in 2014. Since then he has been taking classes at University of Washington (music theory, history of western classical music and jazz, and Italian), traveling, working around the house, reading, and threatening to learn to play the piano. His only musical training is long forgotten accordion lessons from one of the Seattle area accordion schools that were prolific in the 1960s, and junior high school band where he played the clarinet. Since then, he’s been a listener rather than a performer. His musical tastes are somewhat eclectic and include classical music from chant and medieval up through contemporary, jazz, and folk. He and his spouse, Cecilia, have lived in Fremont for over 35 years.
Mauricio Roman
Mauricio Roman is a senior research scientist at AWS. He met Early Music Seattle when they presented a baroque concert at the Amazon headquarters in 2019. When not crunching data or preparing models, he enjoys reading about the history of music and the beaux arts, particularly at the time of the Renaissance, and writing occasional articles. Mauricio is trying to learn how to sing early Baroque music but battles with his poor pitch. Originally from Colombia, he speaks Spanish, Portuguese, Italian, French and reads a little bit of Latin.
Lindsey Strand-Polyak
Lindsey Strand-Polyak is honored to be serving as the Seattle Baroque Orchestra musicians representative on the EMS Board. In addition to her concert career, Dr. Strand-Polyak is a passionate educator and arts advocate, working with organizations including the Los Angeles Philharmonic, the Young Musicians Foundation, Education through Music-Los Angeles, Elemental Music, and the UCLA Mentor Outreach Program. In two decades in education and outreach, she has taught in nearly every corner of Southern California, from Compton to Claremont, Whittier to West Hollywood, and Santa Monica to Sherman Oaks, while witnessing the immense impact that arts education makes across the economic spectrum.
Dr. Strand-Polyak believes that historical performance and early music should be accessible to everyone, which has led to her directing community ensembles, advising organizations and undertaking artist residencies throughout the country. Guest talks and residencies have included University of Southern California, University of Oregon, Northwestern State University of Louisiana, University of Richmond, Sacramento State University, Montana State University, University of Northern Colorado, and California State University-Fullerton. With Elisabeth LeGuin, she restarted the UCLA Early Music Ensemble, which had lain dormant for more than 20 years, and then served as Associate Director. In 2016, she co-founded the community baroque orchestra Los Angeles Baroque with cellist Alexa Haynes-Pilon and currently serves as its Artistic Director. In 2021-22, Dr. Strand-Polyak consulted with and designed workshops for Bitterroot Baroque in Hamilton, MT, and served as Artistic Advisor to Kensington Baroque Orchestra in San Diego. She is also on the board of Pacific Northwest Viols.
Lindsey’s pandemic projects have included exploring three-viol repertory with the Downtempo Divas; practicing the bass viola da gamba; recording a forthcoming studio album at the Jack Straw Cultural Center; learning wheel-thrown pottery (on Instagram @baroquenpottery); and cooking her way through most of Yotam Ottolenghi’s Simple.