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- “Peace Shall Be Her First Glad Ringing”: Bells, Community, and Auditory Culture
- “To Please the World With Their Songs”: the Battle for Music in 17th Century Convents
- “That which is called the black soul is a white construction”[1]: A Response to Ars Longa de Habana’s “Gulumbá Gulumbé”
- A Canon is an Idea: Craft, Genius, and the Making of “Classical Music”
- A Changing of the Guard
- Al-Andalus: the Music of Islamic Iberia and its Living Descendants
- An Open Letter to the Cheap Seats Right in Front of the Orchestra
- Banduras for the Blind: Minstrels, Epic Song, and the Ukrainian Culture of Resistance
- Blocking out the Sun: Music Censorship and the Taliban
- Celebrating Venice at Carnival Time
- Coffee, Creativity, & Claudio Monteverdi
- Corelli and the Elevator
- Ecco la Primavera!
- Encountering Love (and Music) in Hell with Dante
- Francesca Caccini and her Artistic Colleagues
- In Celebration – Elizabeth “Betty” Working Swift
- Klezmer Music
- Klezmer, Community, and Communication: How Music Loses its Roots
- La Dafne: Sculpting Syllables with Music
- Love and Jealousy
- Mechanical Instruments and the Aesthetics of Human Performance
- Memento Mori
- Music at a Time of Distress: Francesco Corteccia’s Passions
- My Journey to Early Music
- My Lunches With Fred