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- The Whimsical Past, the Scholarly Present, and the Case of the Countertenor
- Patronage, Professionalism, and Slavery: The Lives of Musicians at the Ottoman Court
- Klezmer, Community, and Communication: How Music Loses its Roots
- An Open Letter to the Cheap Seats Right in Front of the Orchestra
- Ottoman Music, Cultural Evolution, and the Problems of Musical Mythmaking
- Where on Earth is Betsy Brick?
- Blocking out the Sun: Music Censorship and the Taliban
- Ode to my Childhood Violin Teacher
- Coffee, Creativity, & Claudio Monteverdi
- Poppea Reflections
- Never the Same Twice: European Folk Music and the Act of Musicking
- A Canon is an Idea: Craft, Genius, and the Making of “Classical Music”
- Al-Andalus: the Music of Islamic Iberia and its Living Descendants
- My Lunches With Fred
- “Brahms Not Bombast!”
- Masterful Bach!
- Arcangelo Corelli
- Torelli and Platti
- The Stile antico and Stile moderno in Sacred Music
- When One is Enough
- When One, Two, or even Three are Not Enough!
- When One is Not Enough, Part 2
- Bach–Vivaldi
- Bach’s Vivaldi
- Mauricio Roman
- Early Music in Florence during the Pandemic: A Conversation with Fabio Lombardo, from L’Homme Armé
- Greek Musical Theory
- Musical Thought in Ancient Greece
- Ecco la Primavera!
- Tancred’s Regret at Jerusalem’s Golden Gate
- La Dafne: Sculpting Syllables with Music
- Music at a Time of Distress: Francesco Corteccia’s Passions
- Francesca Caccini and her Artistic Colleagues
- Encountering Love (and Music) in Hell with Dante
- Memento Mori
- Rediscovering Sacred Music in Spain
- Celebrating Venice at Carnival Time
- Klezmer Music
- Love and Jealousy
- In Celebration – Elizabeth “Betty” Working Swift
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- Remembering Alice Smith
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