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Orchestrating social justice: Next steps for classical music in Seattle
Seattle Opera, Early Music Seattle holding virtual town halls discussing racial justice in classical music
Seattle Arts for the Plague Years: A Dozen Ideas
Vivaldi’s 1733 ‘Motezuma’ Receives 21st-Century Completion
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Seattle Baroque Orchestra Reimagined
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ALEXANDER WEIMANN PRESENTS A MASTERCLASS at the Conservatory of Tatuí, Brazil
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De Inga y Mandinga
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Reflecting a Just Future I: Art In The Making And On The Making Of Art
Organizations that Celebrate Diversity
Killing Culture: The Execution of Fawad Andarabi
To Classical Music Audiences: Use Your SWAY to Advance Social Justice
Reflecting a Just Future I: Art In The Making And On The Making Of Art
Reflecting a Just Future II: Early Music and Identity
Focus On Asia
A Niche Art Triumphs Over the Pandemic
CHINESE MUSIC IS EARLY MUSIC
THE SEATTLE CHINESE ORCHESTRA
THE BA BAN CHINESE MUSIC SOCIETY OF NEW YORK
THE NEW YORK CHINESE OPERA SOCIETY
FORMOSA BAROQUE
Written Word
The Feedback Loop of Early Keyboard Music
The Unity of the Brandenburg Concertos and the Idea of the Musical Work
My Journey to Early Music
The Early Guitar and the Art of Categories
“Peace Shall Be Her First Glad Ringing”: Bells, Community, and Auditory Culture
Banduras for the Blind: Minstrels, Epic Song, and the Ukrainian Culture of Resistance
Women in Early Music: Nannette Streicher
Mechanical Instruments and the Aesthetics of Human Performance
A Changing of the Guard
“To Please the World With Their Songs”: the Battle for Music in 17th Century Convents
Corelli and the Elevator
The Whimsical Past, the Scholarly Present, and the Case of the Countertenor
Patronage, Professionalism, and Slavery: The Lives of Musicians at the Ottoman Court
Klezmer, Community, and Communication: How Music Loses its Roots
An Open Letter to the Cheap Seats Right in Front of the Orchestra
Ottoman Music, Cultural Evolution, and the Problems of Musical Mythmaking
Where on Earth is Betsy Brick?
Blocking out the Sun: Music Censorship and the Taliban
Ode to my Childhood Violin Teacher
Coffee, Creativity, & Claudio Monteverdi
Poppea Reflections
Never the Same Twice: European Folk Music and the Act of Musicking
A Canon is an Idea: Craft, Genius, and the Making of “Classical Music”
Al-Andalus: the Music of Islamic Iberia and its Living Descendants
My Lunches With Fred
“Brahms Not Bombast!”
Masterful Bach!
Arcangelo Corelli
Torelli and Platti
The Stile antico and Stile moderno in Sacred Music
When One is Enough
When One, Two, or even Three are Not Enough!
When One is Not Enough, Part 2
Bach–Vivaldi
Bach’s Vivaldi
Early Music in Florence during the Pandemic: A Conversation with Fabio Lombardo, from L’Homme Armé
Greek Musical Theory
Musical Thought in Ancient Greece
Ecco la Primavera!
Tancred’s Regret at Jerusalem’s Golden Gate
La Dafne: Sculpting Syllables with Music
Music at a Time of Distress: Francesco Corteccia’s Passions
Francesca Caccini and her Artistic Colleagues
Encountering Love (and Music) in Hell with Dante
Memento Mori
Rediscovering Sacred Music in Spain
Celebrating Venice at Carnival Time
Klezmer Music
In Celebration – Elizabeth “Betty” Working Swift
Stabat Mater
Remembering Alice Smith
Many Messiahs
About Many Messiahs
Antiracism in the Arts with Aaron Grad and Britt East
Part I: Why We Need Many Messiahs
Part II: Many Messiahs In the Wilderness
Part III: Many Messiahs and Little Lights
News form Other Early Music Organizations
Many Voices, One Spirit
Speech and Imagery in C.P.E. Bach’s Solo Flute Sonata in A-minor
Seattle Oboe Band Workshop
For All Our Sisters
RELATED ARTICLES FOR FOR ALL OUR SISTERS
FOR ALL OUR SISTERS PERFORMANCES
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A Niche Art Triumphs Over the Pandemic
The Feedback Loop of Early Keyboard Music
My Journey to Early Music